Select Essays & Reviews

  • Taipei Biennial: Ocula Report, Ocula, December 2018
  • ‘Crossing Borders’, NiTRO, April 2018, View details
  • ‘Polixeni Papapetrou: My Heart Still Full of Her’, catalogue essay, Michael Reid Gallery, Sydney
  • ‘If I Could Have…’, Art Collector, Issue 83, Jan-March 2018, pp. 64-65
  • ‘Fall into my fiction’, Tracey Moffatt: My Horizon, Thames & Hudson, 2017, pp. 2-9
  • ‘Tracey Moffatt in conversation with Natalie King’, Tracey Moffatt: My Horizon, Thames & Hudson, 2017, pp. 10-17
  • ‘Kate Daw: Love, Work’, Telling Tales, exhibition catalogue, Museum of Contemporary Art, Sydney, 2016. p. 12
  • ‘Monyet Gila’, exhibition catalogue, 4A Centre for Contemporary Asian Art, Sydney, 2016
  • Dough Portraits: Soren Dahlgaard, Art Books, London, 2015, pp. 231-233
  • ‘Playful Privacy: Larissa Hjorth’, exhibition catalogue, CCP, Melbourne, 2015
  • ‘Falling back to Earth: Cai Guo-Qiang’, Art and Australia, 2014, pp. 508-513
  • ‘Mourning and Melancholia: the clown photographs of Polixeni Papapetrou’, exhibition catalogue, 2014
  • ‘Polixeni Papapetrou in conversation with Natalie King’, Eyeline, issue 80, 2014, pp. 45-56
  • ‘Kambing Hitam: an interview with Entang Wiharso’, Entang Wiharso: Trilogy, Black Goat Studios, Indonesia, 2014, pp. 42-48
  • ‘A Human Texture: The video portraits of Candice Breitz’, Art and Australia, Vol 51 No 2, Summer 2013, pp. 191-5.
  • Review: Auckland Triennial 2013, LEAP (China), View details
  • Review: Auckland Triennial 2013, Flash Art online, View details
  • Review: Jogja Biennale 2011, Flash Art online, View details
  • ‘Trailing the Summit: An Australian Indian Conversation’, Art Monthly, July 2011 #241, pp. 14-16
  • Review: India Art Summit, Flash Art, March-April 2011, p. 56
  • Interview Hiroshi Sugimoto, Photofile #90, August-November 2010
  • ‘Accumulation: the aesthetics of waste & recycling’, In the Balance: Art for a Changing World, Museum of Contemporary Art, Sydney, 2010, pp. 10-11
  • Carol Jerrems: ‘Love is the key word’, Australian Book Review, November 2010, pp. 48-54
  • Review: ‘Harnessing the Globe - 17th Biennale of Sydney’, Flash Art, July-August-September, 2010, p. 48
  • ‘The Material of meaning: Illuminating the art of Joseph Kosuth’, Art and Australia, Vol. 47, No. 4, Winter 2010, pp. 590-595
  • ‘Asia Pacific Triennial: That’s Entertaining’, Flash Art, March April 2010, p. 52
  • ‘Fatal Attraction: Jane Burton’, Photofile, 88, December 09-March 10, pp. 22-29
  • Slowing Time: Interview with Tacita Dean’, Photofile, 88, December 09-March 10, pp. 46-53
  • Polixeni Papapetrou, The Age, Friday 6 November 2009, p. 14
  • Kathy Temin: Forest of Memories, Australian Art Monthly, #224 October 2009, pp. 9-12
  • Profile: Kathy Temin, Australian Jewish News, Friday 28 August 2009, Arts & Lifestyle, p. 30
  • ‘Scouting for Female Talent’, Australian Art Collector, Issue 49, July-September 2009, p. 115
  • Profile: Djon Mundine, Australian Aboriginal Art, Issue 2, June/July/August 2009, pp, 170-173
  • Interview with Anastasia Klose, SPEECH BLOG, http://www.speech2012.blogspot.com/
  • Critic’s Choice, Australian Art Collector, Issue 48, April-June 2009, pp. 162-7
  • Review: A Constructed World at Uplands Gallery, Flash Art, No. 266, May-June 2009, p. 134
  • Review: A Constructed World, Art Asia Pacific, Issue 63, May/June 2009, p. 148
  • Destiny Deacon, Australian Aboriginal Art, Issue 1, March/April/May 2009, pp. 56-69
  • Review: TarraWarra Biennial 2008 – Lost & Found-An Archeology of the Present, Art Asia Pacific, Issue 62, March/April 2009, p. 116
  • Simryn Gill: Gathering, ARTiT, Winter/Spring 2009, No. 22, p. 26-7
  • Kathy Temin, Australian Art Collector, Issue 47, January-March 2009, pp. 174-5
  • David Noonan, Australian Art Collector, Issue 47, January-March 2009, pp. 162-3
  • Preview: Rennie Ellis: No standing only dancing, National Gallery of Victoria, Photofile, 85, Dec. 08/Mar 09, pp. 10-11
  • Review: Vivienne Shark LeWitt, Ian Potter Museum of Art, Art Asia Pacific, Issue 61, Nov/Dec 2008, p. 270
  • Kate Beynon: Auspicious Charms for Transcultural Living, Art Gallery of New South Wales, Sydney, 2008
  • Ronnie van Hout, Art World, Issue 5, October/November 2008
  • Unmonumental: Ronnie van Hout’s Empathy Machine, Satellite at the Melbourne Art Fair 2008
  • Simon Obarzanek, Karen Woodbury Gallery, Melbourne Art Fair 2008
  • Review: Biennale of Sydney, Revolutions–Forms That Turn, Artkrush, #89
  • http://www.artkrush.com/169789
  • Review: Daniel von Sturmer, Anna Schwartz Gallery, Art Asia Pacific, No. 59, July/August 2008, p.59
  • ‘Abbey McCulloch’, Australian Art Collector, Issue 45, July-September 2008, pp.122-5
  • Review: Shaun Gladwell – Double Voyage, Anna Schwartz Gallery, Melbourne, ARTit online, http://www.art-it.jp/e_review_detail.php?id=106
  • Interview with Carolyn Christov-Bakargiev, Flash Art, May-June 2008, p.86
  • Interview with Carolyn Christov-Bakargiev, SPEECH BLOG, www.speech2012.blogspot.com
  • Interview with Ai Weiwei, Art and Australia, Vol. 45 No. 4, 2008, pp. 546-549
  • ‘Magical transformation tour: Monika Tichacek’, ARTit, No. 19, Spring/Summer 2008, Vol. 6 No. 2, pp. 78-81
  • Review: Del Kathryn Barton, Karen Woodbury Gallery, ARTit, www.art-it.jp
  • ‘Fiona McMonagle’, Art World, Issue 2, April/May 2008, pp. 118-121
  • ‘John Young: A Pilgrim to the Modern’, Art World, Issue 2, April/May 2008, pp. 96-101
  • ‘Polixeni Papapetrou: Games of Consequence’, The National Art Center, Tokyo, 2008, pp. 4-5
  • Interview with Massimiliano Gioni, Art and Australia, Vol. 45, No. 2, Summer 2007, pp. 274-9
  • Increase your uncertainty: A Constructed World in Melbourne, Art Monthly, November 2007 Number #205, pp. 28-30
  • Review: Irene Hanenbergh, Neon Parc, ARTit, www.art-it.jp
  • Review: James Lynch, Uplands Gallery, Flash Art, July-Sept 2007, p. 142
  • ‘Dolled Up’, Dolls: Destiny Deacon, Virginia Fraser, Zoe Leonard, Maria Marshall, Laurie Simmons, Galleria Raffaella Cortese, Milan, February 2007
  • Review: Simon Obarzanek, Karen Woodbury Gallery, Flash Art, January-Feb 2007, p. 63
  • ‘Another Place’, Broadsheet, Vol. 35, No. 4, December 2006-February 2007, pp. 237- 239
  • Review: Michael Riley: sights unseen, National Gallery of Australia, Flash Art, Nov-Dec 2006, p. 126
  • Preview: PRISM: Contemporary Australian Art Exhibition, Bridgestone Museum of Art, Tokyo, ARTit (Japan), Issue 13, Fall/Winter 2006, Vol. 4. No. 4, p. 20
  • Preview: Michael Riley: sights unseen, National Gallery of Australia, ARTit (Japan), Issue 12, Summer/Fall 2006, Vol. 4, No. 3, p. 21
  • Kate Beynon, (exh. cat.), Sutton Gallery at the Melbourne International Art Fair, 2006
  • Review: 15th Biennale of Sydney: Zones of Contact, British Art Monthly, July-August 2006, No 298, pp. 24-25
  • Review: Barbara Kruger, ACCA, Art and Australia, Vol. 43, No. 4, Winter 2006, p. 693
  • ‘Duration and Memory: The visual poetry of Peter Atkins’, (exh. cat.), Sherman Galleries, Sydney, May 2006
  • Georgia Metaxas, (exh. cat.), Manningham Art Gallery and regional tour
  • Review: Tatsuo Miyajima, Contemporary Art Centre of South Australia, Art and Australia, Vol. 43, No. 3, Autumn 2006, p. 436
  • ‘Fictional Biology: Vera Moller’s softmachines’, Philip Bacon Galleries, Brisbane, 2006
  • Review: Daniele Puppi, Melbourne International Arts Festival at Gertrude Contemporary Art Spaces, Broadsheet, Vol. 34. No. 4, 2005
  • ‘Venice-Dead in the Water?’, Broadsheet, Vol. 34. No. 3, September-November 2005, p. 150
  • ‘Matthew Johnson: Peregrination’, (exh. cat.), Christine Abrahams Gallery, Melbourne, 2005
  • ‘In the same vein’, Pat Brassington, (exh. cat.), Arc One Gallery, Melbourne, 2005
  • ‘Compulsive Beauty: Del Kathryn Barton’s composite portraits’ (exh. cat.), Karen Woodbury Gallery, Melbourne, September-October 2005
  • Review: New05, Art and Australia, Vol. 42. No. 4, 2005, p. 597
  • ‘Sally Ross: Snake’, (exh. cat.) Galerie Baumet Sultana, Paris, 2005
  • ‘Jump the fence: This ain’t no Neighbourhood Watch’, Mesh #17, www.experimenta.org
  • ‘Faithfully Female: the new work of Irene Barberis’, (exh. cat.) Intersections, The Jewish Museum of Art, Melbourne, 2005
  • ‘Episodes: “a laugh and a tear in every photo”’, Destiny Deacon: Walk & don’t look blak (exh. cat.), Museum of Contemporary Art, Sydney, November 2004, pp. 18-23
  • Profile: Anne Zahalka-Natural Wonders, Roslyn Oxley9 Gallery, Australian Art Collector, Issue 29, July-September 2004, p. 198
  • Review: Witness, Museum of Contemporary Art, Broadsheet, Vol. 33. No. 2, June-August 2004, p. 49
  • ‘Forests and Fairytales: parallel worlds in photography’, Supernatural Artificial (exh. cat.), Tokyo Metropolitan Museum of Photography, July 2004
  • Review: Peter Booth, NGV:A, Art and Australia, Vol. 41, No. 4, Winter 2004, p. 595
  • Review: Jon Cattapan, Sutton Gallery, Art and Australia, Vol. 41, No. 3, Autumn 2004, p. 475
  • Review: Fieldwork: Australian Art 1968-2002 & Repressed Spaces: The Poetics of Agoraphobia, Australian and New Zealand Journal of Art, Vol. 4, No. 1, 2003, pp. 99-202
  • Review: Octopus 4, More real then Life, Gertrude Contemporary Art Spaces, ACCA Mag, Issue 3, 2003
  • Review: Darren Sylvester, Artlink, Vol. 23. No. 3, September 2003, p. 91
  • ‘Art round up: Melbourne’, Art Monthly, March 2003, pp. 14-16
  • ‘A Fan’s Friend’, A Magazine (as part of my Kylie Collection), 2002, p. 39
  • ‘Kathy Temin: Home is Where the Art is’, Australian Style, No. 54, August 2001, pp. 66-69
  • Christopher Langton, Elle, June 2001, p. 72
  • Kate Beynon, Australian Style, No. 50, April 2001, pp. 88-91
  • Lauren Berkowitz, Elle, May 2001, p. 69
  • Christie’s Contemporary, Elle, April 2001
  • Review: The Retrieved Object, Like, No. 14, pp. 45-46
  • ‘Wherever Destiny Takes You: Destiny Deacon’, Australian Style, No. 49, March 2001, pp. 30-31
  • ‘USEby’, Art Asia Pacific, Issue 30, 2001, pp. 27-29
  • ‘David Noonan: A Space Odyssey’, Art and Australia, Vol. 38, No. 3, 2001, pp. 434-441
  • Patrician Piccinini, Elle, October 2000, p. 54
  • Lauren Berkowitz: Ephemeral Geometries, Art and Australia, Vol. 37, No. 4, 2000, pp. 566-571
  • Yayoi Kusama, Dumb Type & Nobuyoshi Araki, Art Asia Pacific, Issue 26, 2000
  • Matthew Johnson (exh.cat.), Tim Olsen Gallery, Sydney, March 2000
  • Review: John Young, Art Asia Pacific, Issue 22, p. 90
  • ‘Psychology of Retrieval: personal and fictional archives’, Artlink, Vol. 19, 1999, No. 1, pp. 49-51
  • Interview with Professor Kazuko Koike, Director, Sagacho Exhibit Space, Tokyo, Museum National, Vol. 7, No. 2, November/December 1998, pp. 21-22
  • ‘Making sense: A Korean-Australian parnership’, Art Asia Pacific, Issue 19, pp. 30-31
  • Interview with Lauren Berkowitz & Rozalind Drummond, Spider Box (exh. cat.), Canberra Contemporary Art Space, June 1998
  • ‘Private Parts’ (exh. cat.), Monash University Gallery, April 1998
  • ‘furnish: There’s No Place Like Home!’, Furnish (exh. cat.), Bendigo Art Gallery, January 1998
  • ‘Yoin: Reverberations between Australia & Japan’ (exh. cat.), Sagacho Exhibit Space, Tokyo & RMIT Gallery, Melbourne
  • Interview with Kathy Temin, Seppelt Contemporary Art Award 1997 (exh. cat.), MCA, Sydney, November 1997
  • Interview with Geoff Kleem, Geoff Kleem: Industrial Division (exh. cat.), Monash University Gallery, October 1997
  • ‘Fashion Statements’, Art Asia Pacific, No. 16, pp. 33-35
  • Preview of Perspecta, The Australian Way, Qantas inflight magazine, September 1997
  • ‘Distant Paradise’, Malcom Bywaters (exh. cat.), RMIT Gallery, September 1997
  • ‘Screen’ (exh. cat.), Monash University Gallery, July 1997
  • ‘Two Installations by Sue Saxon’ (exh. cat.), The Jewish Museum of Australia, February 1997
  • Review: The 9th Biennale of Sydney, Globe, February 1997
  • ‘Rozalind Drummond: Peeping Tom’, Art Asia Pacific, No. 13, 1997, pp. 92-5
  • ‘Rare space, other space; Singapore Report’, Real Time, 14, August-September 1996, p. 4
  • ‘Abstraction Prefigured’, Abstraction Now (exh. cat.), Geelong Art Gallery & touring, 1996
  • Review: Kate Beynon, Art and Asia-Pacific, Vol. 3, No. 4, 1996, pp. 107-8
  • DIVA (Digital Imaging from Visual Arts), contemporary Australian Art online, 1996
  • Review: the building 40 project, RMIT, Art and Australia, Vol. 33, No. 4, Winter 1996, pp. 574-5
  • Heirloom (exh. cat.), Monash University Gallery, May 1996
  • ‘Amanda Heng’, Art and Asia-Pacific, Vol. 3, No. 2, 1996, pp. 81-5
  • ‘Southern Exposure’, Real Time, 10, December-January 1995-6, pp. 3-4
  • Review: Faktura at Stop 22, Photofile, November 1995, 46, pp. 46-7
  • ‘Decor’, Art and Australia, Vol. 33, No. 22, Summer 1995, pp. 212-220
  • ‘Peeping Tom’ (exh. cat.), Project Room: Rozalind Drummond, Monash University Gallery, November 1995
  • Catalogue Essay, Gasworks Outdoor Sculpture Exhibition, Melbourne
  • Catalogue Essay, Steam, Melbourne Fringe Festival, The George Ballroom
  • Constructed City (exh. cat.), Plimsoll Gallery, Hobart, Tasmania & touring
  • ‘The White Cube Black Hole Project’, Eyeline, No. 29, Summer 1995, pp. 38-9
  • Interview with Zane Trow, Director of Next Wave Festival, Real Time, 9, October - November, p. 11
  • Fashion, Decor, Interior (exh. cat.), Monash University Gallery, June 1995
  • ‘Detour’ (exh. cat.), Narelle Jubelin: Soft and Slow, Monash University Gallery, May 1995
  • Review: Perspecta, Art and Asia-Pacific, Vol. 2, No.3, 1995, pp. 27-9
  • Review: Kathy Temin, Art and Australia, Vol. 32, No. 3, Autumn 1995, p. 444
  • Bad Toys (exh. cat.), The Australian Centre for Contemporary Art, November 1994
  • Tableaux: Works from the Monash University Collection (exh. cat.), Monash University Gallery, November 1994
  • Review: Mikala Dwyer, Art & Text, 49, September 1994, pp. 74-5
  • Primavera: The Belinda Jackson Exhibition of Young Artists (exh. cat.), Museum Contemporary Art, Sydney
  • ‘Bag Lady’ (exh. cat.), Lauren Berkowitz, Karyn Lovegrove Gallery, August 1994
  • ‘Clinton Garafano’, Photofile, 42, June 1994, pp. 26-29
  • Review: The Aberrant Object: Women, Dada and Surrealism, Broadsheet, Vol. 23, No. 2, Winter 1994
  • Passage: Spatial Interventions (exh. cat.), Monash University Gallery and Next Wave Festival, 1994
  • Review: Colour, curated by John Nixon, Anna Schwartz Gallery, Art and Australia, Vol. 32, No. 1, Spring 1994
  • ‘Maria Cruz: Rituals of Subjective Ordering’ (exh. cat.), Australia Centre, Manila, Philippines, 1993
  • Gabrielle-Droscher Gallery, Dusseldorf, Germany, 1994
  • Review: Rose Nolan, Art & Text, 47, January 1994, p. 89
  • ‘Rematerialisation: The work of Rosemarie Trockel and Kathy Temin’, Binocular: Focusing. Material. Histories, ed. Ewen Mc Donald, Moet & Chandon, 1993, pp. 155-165
  • Catalogue entry on Matthew Johnson Australian Perspecta 1993, Art Gallery of New South Wales
  • ‘Illuminating Luminaries: A Contemporary Perspective’ (exh. cat.) Luminaries, Monash University Gallery, Debra Ostrow (exh. cat.), Panorama, August 1993
  • Review: Liz Coats, Art & Text, 46, September 1993, p. 81
  • Review: Peter Cripps, Agenda, 32, July 1993, p. 34
  • Review: Lawrence Wallen - Rapture, Video Installation at A.C.C.A. for Photofile, 39, July 1993, p. 42
  • ‘Towards Identity: A Landscape of Bricolage’ (exh. cat.), Victor Majzner, Monash University Gallery, May-July 1993
  • Review: Kathy Temin, Art & Text, 45, May 1993, p. 78
  • ‘Dislocation: On Location’, Critique: Location, A.C.C.A., Photofile, 38, March 1993, pp. 41-44
  • Jewish Festival of the Arts (exh. cat.), Studio 14 at 200 Gertrude Street, March 1993
  • ‘Disparities’ (exh. cat.), Disparities: 1992 Postgraduate Exhibition, Ian Potter Gallery of Melbourne University, 1992
  • Review: Melinda Harper, Art & Text, 44, January 1993, pp. 80-81
  • ‘On Genre’ (exh. cat.), On Genre, Deakin University Gallery October-November 1992, Artspace, Sydney, July 1993
  • ‘The City Submerged’, Jon Cattapan: 365 Days, Realities Gallery, Melbourne, 1992, pp. 7-8
  • ‘The Subversive Stitch’ (exh. cat.), The Subversive Stitch, Monash University Gallery, October 1991