Exhibitions
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Timor-Leste Presents Inaugural Pavilion at 2024 Venice Biennale
Timor-Leste’s inaugural pavilion at the upcoming 60th Venice Biennale will present Maria Madeira’s new project Kiss and Don’t Tell (2024), curated by Natalie King. Madeira’s exhibition coincides with the 25th anniversary of Timor-Leste’s independence from Indonesia.
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Natalie King to Curate First Timor-Leste Pavilion in Venice
It’s the third national pavilion that King has curated at the Venice Biennale since 2017.
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Maria Madeira: Kiss and Don’t Tell
Maria Madeira is the artist to represent Timor-Leste at the 60th International Venice Biennale taking place from April 20 to November 24, 2024. Timor-Leste’s inaugural pavilion coincides with the 25th anniversary of the independence of Timor-Leste.
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Exhibition Review: Paradise Camp at the Aotearoa/New Zealand Pavilion of the 59th Venice Biennale
Paradise Camp, an immersive exhibition of Yuki Kihara’s artworks first presented at the 59th Venice Biennale, was curated by Natalie King with Ioana Gordon-Smith, assistant Pasifika curator.
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Kathmandu Triennale 2026 Names Artistic Directors
Nepal’s Sujan Chitrakar and Australia’s Natalie King will lead the exhibition, which explores the theme of coexistence.
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Paradise Camp at the Aotearoa/New Zealand Pavilion of the 59th Venice Biennale
Paradise Camp, an immersive exhibition of Yuki Kihara’s artworks first presented at the 59th Venice Biennale, was curated by Natalie King with Ioana Gordon-Smith, assistant Pasifika curator.
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Paradise Camp on MindFOOD
Trailblazing artist Yuki Kihara explores the diasporic experience of fa’afafine in her latest work.
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Must-See Exhibitions During Sydney Contemporary and Beyond
Expect: theatrical images that complicate Paul Gauguin’s interpretations of the Pacific and its peoples with a contemporary imaging of cultural awareness and inclusive difference.
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Paradise Camp opens at Powerhouse Museum Ultimo
Co-commissioned by Powerhouse Museum and Creative New Zealand, and curated by Professor Natalie King OAM, the Powerhouse has unveiled the Australian premiere of Paradise Camp by Yuki Kihara.
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Exhibition review: Paradise Camp: Yuki Kihara, Powerhouse Ultimo
From the Venice Biennale to Australia, the exhibition ‘Paradise Camp’ expands for Australian audiences.
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Paradise Camp by Yuki Kihara
Paradise Camp by Yuki Kihara and curated by Natalie King, comprises a suite of twelve tableau photographs in saturated colour, situated against a vast wallpaper of a landscape decimated by the 2009 tsunami.
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Kaylene Whiskey From Comic to Canvas
Roslyn Oxley9 Gallery is thrilled to present From Comic to Canvas, an exhibition of new works by Kaylene Whiskey.
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Virtual Opening: NZ Pavilion at the Venice Biennale
Hon Carmel Sepuloni, Minister for Arts, Culture and Heritage and Caren Rangi, Commissioner of New Zealand’s presentation at the Biennale Arte 2022…
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Reversible Destiny: Australian and Japanese Contemporary Photography
Can a photograph reverse history by shifting perception, reconfiguring memory and modifying time? In Reversible
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Reversible Destiny Australian and Japanese contemporary photography
How is contemporary photography entangled with the past, halted in the present and imagining the future?
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A Digital Age
Revered contemporary artist Guan Wei returns to Melbourne this May with a spectacular new exhibition of paintings titled A Digital Age.
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Kathy Temin, Mothering Gardens
Temin conjugates childhood soft toys with minimalist, monochrome sculpture whilst taking her garden of mothering indoors into a psychological and intimate world of wonder.
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When the world as we know it falls apart, what then?
After a year of turmoil and uncertainty, VCA graduates offer tender worlds and intimate interiorities. Isolation and seclusion have induced altered states and imaginings as artists turn…
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My Horizon, Tracey Moffatt
Somewhere between fiction and history, the work of Tracey Moffatt is redolent with imaginative narratives. Working across photography, film and video, Moffatt takes…
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Natalie King’s Venice by Whitewaller
Scuola Grande di San Rocco, Peggy Guggenheim Museum, and Trattoria Antiche Carampane: Natalie King’s Venice, by Whitewaller.
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Natalie King, Curator, Venice Biennale
Natalie King curates Australian and international programs that include exhibition making, publications, lectures, workshops and cultural partnerships across contemporary art and indigenous culture.
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Public Art Melbourne Biennial Lab: What happens now?
Public Art Melbourne Biennial Lab provides time, space and interaction with leaders in the public art field, as well as financial assistance for artists to explore, investigate…
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Natalie King – MPavilion
Natalie King curates Australian and international programs that include exhibition-making, publications, lectures, workshops and cultural partnerships across contemporary art and indigenous culture.
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Monyet Gila: Episode One
4A Centre for Contemporary Asian Art presents the first iteration of an ongoing exhibition project by Adri Valery Wens and Shaun Gladwell, curated by Natalie King and Mikala Tai.
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Conversation: Endless Acts in Human History, Entang Wiharso and Sally Smart
Galeri Nasional Indonesia in cooperation with Galeri Canna presents Conversation…
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TarraWarra Biennial 2014: Whisper in My Mask
The TarraWarra Biennial was inaugurated in 2006 as a signature exhibition to identify new developments in contemporary Australian art practice under an experimental…
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Episodes: Australian Photography Now
Susan Sontag’s prophetic account of the insatiability of photography anticipates the ubiquitous quality of photography in the 21st century.
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Rewind: How not to remember?
Andrew Renton’s poetic refrain, ‘How not to remember?’ in his catalogue essay accompanying Kathy Temin’s capacious three-part installation at ACCA in 1995 urged us to remember.
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Gigi Scaria: Prisms of perception
Gigi Scaria was born in Kerala, India, in 1973. He is one of a new generation of Indian artists who has established a significant international exhibition profile with exhibitions…
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Jitish Kallat: Circa
Jitish Kallat: Circa is Kallat’s first solo exhibition in an Australian museum. Following the reflective nature of his recent projects, this exhibition is conceived as an evolving…